After the brief bivouac of Sunday,
their eyes, in the forced march of Monday to Saturday,
hoist the white flag, flutter in the snow-storm of paper,
haul it down and crack in the mid-sun of temper.
In the pause between the first draft and the carbon
they glimpse the smooth hours when they were children--
the ride in the ice-cart, the ice-man's name,
the end of the route and the long walk home;
remember the sea where floats at high tide
were sea marrows growing on the scatter-green vine
or spools of grey toffee, or wasps' nests on water;
remember the sand and the leaves of the country.
Bells ring and they go and the voice draws their pencil
like a sled across snow; when its runners are frozen
rope snaps and the voice then is pulling no burden
but runs like a dog on the winter of paper.
Their climages are winter and summer--no wind
for the kites of their hearts--no wind for a flight;
a breeze at the most, to tumble them over
and leave them like rubbish--the boy-friends of blood.
In the inch of the noon as they move they are stagnant.
The terrible calm of the noon is their anguish;
the lip of the counter, the shapes of the straws
like icicles breaking their tongues, are invaders.
Their beds are their oceans--salt water of weeping
the waves that they know--the tide before sleep;
and fighting to drown they assemble their sheep
in colums and watch them leap desks for their fences
and stare at them with their own mirror-worn faces.
In the felt of the morning the calico-minded,
sufficiently starched, insert papers, hit keys,
efficient and sure as their adding machines;
yet they weep in the vault, they are taut as new curtains
stretched upon frames. In their eyes I have seen
the pin men of madness in marathon trim
race round the track of the stadium pupil.