| Matt's Manifesto |
| The Renaissance men are aging now, |
| having survived Industrialization's Original Sin |
| and the Information Age flood; |
| the need for specialization |
| drives wrinkles of obsolescence |
| through their shriveling faces |
| that have seen too much popular culture, |
| folk wisdom, colloquialisms, and fads born of boredom |
| to have much patience left |
| for the exaltation of yet another |
| generation of humanity so frustratingly changing, |
| yet flawed as we've always been. |
| I've given up on love, |
| it's a game I've never figured out all the rules, |
| and I'm getting too old |
| to be any good at playing it anyway: |
| "That cranky old man, |
| who'd put up with someone like that?" |
| I hear them say way too clear, |
| though I've gotten good at normally ignoring |
| what I don't want to hear. |
| I'd thought of holding you in my arms |
| while you'd tell me of the cracks in your pavement, |
| the ones that were flowing together today, |
| and the ones you'd worry would become chasms, |
| the ones that could drive us apart, |
| both of us in love with the persons we imagined us to be, |
| neither of us realizing then, |
| that living's just walking, |
| the cracks coming and going under your feet |
| and all you can do is keep walking, |
| and sometimes there's music coming |
| from places you pass, but never look up to see. |
| The Renaissance man from upstairs |
| has packed up now, |
| he's got his "I'm done" look |
| draped over his shoulder against the cold, |
| he's out on the curb; |
| the New kids have come out to play |
| on the cracks of the sidewalk, |
| and from the next block |
| the encroaching ice-cream van crawls, bringing music. |
| © Jon Bohrn (2000) |
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